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Flagstaff
Writer's Project
Like
a 'taleidoscope,' new anthology captures many facets of life
out West
By
Mary Sojourner, Flagstaff Resident
A
few years ago, Peter Friederici, activist and writer of The
Suburban Wild, a fine collection of essays published in
1999, told me about the Hub City Writers' Project. Writers,
aware of the increasing power of mega-publishing and
distribution corporations, had gathered in working groups to
bring their words to their community. An anthology followed.
Then, another. Readings. Benefits. Peter asked me if I
wanted to be part of The Flagstaff Writers' Project.
My
theoretical comadre said, "You bet." My actual
hermit found herself not wanting to go to meetings.
Peter carried on, met with other writers, called for
essays for a collection. This spring, he and Jack Doggett
asked me to be guest editor.
Here is my introduction to The View from Here, a
celebration of community, due out in late November:
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Imagine
the "taleidoscope." It is a hollow tube
lined with prisms. Unlike a kaleidoscope, it holds no
scraps of colored glass or translucent gems. It holds
only potential for reflection - and transmutation.
When
you look through a taleidoscope, you see a mandala of
the real world. Scan a mountain, a forest, a western
town at twilight. Twist the tube. The dancing image
shifts. The colors change. Cobalt to green, green to
neon.
Imagine
this book is such a device; and the writers, prisms.
Mountain, pine and Flagstaff swirling in front of you
in ways familiar, and ways you may have never seen. |
Here
is Priscilla Aydeloft: "I left in search of dirt. I
came west looking for stories that taught the canyons their
layered color, for divine lessons designed in dusky pale
light..." And, James Jay: "In the splotchy
lighting, this is how it started. An Eighties style rapper
duked it out with a guy dressed like a prison
inmate..."
A
twist of the taleidoscope. An old house on a little city
street comes into view. Brad Dimock: "It was quarter to
three in the morning and the sound of a chain saw screamed
up through the bulging kitchen floor. Pretty loud, but we
figured it wouldn't take all that long to cut through the
railroad tie..." Another twist and we see an old dairy
barn on the outskirts of town. Leslie Hutchinson: "On
the Vernal Equinox, at dusk, I remembered the Meadow in
summer, lush with golden sunflowers, purple lupine and wild
roses. Tonight, I close the window slowly on grape hyacinth
and lavender crocuses glistening with ice." And here, a
quarry, stone old as time. Marie Jackson: "I like best
the tall cliff of the old Arizona Red sandstone quarry. The
quarry wall looks east; early in the day, when I most like
to visit, its layered rock flushes vermilion in the morning
sunshine."
You
scan suburbia. Ashley Davidson: "I don't know about the
keggers in the woods, but I do understand about trying to
get away. We are suburbia, the social wastelands, where
people live quiet, peaceful lives and kids count down the
days until moving on to something bigger." A trailer
park, Lisa Miller: "In winter, I go crosscountry skiing
and watch for the tracks of Abert's squirrels and striped
skunks in the snow. In spring and summer, I avert my eyes
from the aging refrigerators the landlord has left rusting
in the grass..." A fire look-out, Jean Rukkila:
"Want to know a secret? Those craters out there - the
distant cinder cones of Haywire, Stewart, Double Pinnacle,
Maroon and Moon Craters - they look like a herd of large
creatures fleeing the lava flow."
A
writer turns the taleidoscope on the past. Kelly Poe Wilson:
"Though I love my town now, I adored it ten years ago.
I adored its secret places: El Rancho Grande, now a luxury
motorcycle dealership; El Patio, now a microbrewery; Henry's
Latin Quarter, now a right-hand turn lane on Butler Avenue.
These bars, now gone, were like the hidden alcoves they used
to place in Victorian gardens..."
A
writer points the taleidoscope at views some might prefer
not to see. Carol Maxwell: "And here comes The Pearl,
walking down the street, sliding his hand across the top of
my car, he gives its nose a pat. The man is actually singing
'Zippity-Do-Dah.' This looks more like a musical than a
crack house."
A
writer gazes at The View some of us believe snares our
hearts and keeps us here. Kay Witham: "When the patio
was complete, I sat and looked north. Mount Agassiz seemed
to rise from my front yard, anchoring itself in my
neighborhood before sweeping upward through pine and aspen,
fir and spruce to culminate in windswept rock."
There
are as many Views as there are writers. We peek into a
neighborhood church, scout a hard mountain trail, visit the
ardent chambers of a young man's heart. We remember why we
came here. And, remember what we hold dear.
Here
are mountain, forest and little mountain town for your
viewing. Hold these pages to the light. Look through the
prisms. May you find reflection - and, transformation. May
you find our home.
The
View from Here is expected to be in bookstores in late
November. There will be readings and postings. Flagstaff Tea
Party will keep you posted.
Mary
Sojourner is a professional writer whose work has appeared
in High Country News, Flag Live!, The Arizona Daily Sun, and
on National Public Radio, among others.
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